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The Night Eternal (The Strain Trilogy), by Guillermo Del Toro, Chuck Hogan
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“The most credible and frightening of all the vampire books of the past decade.”
—San Francisco Chronicle
“Bram Stoker meets Stephen King meets Michael Crichton. It just doesn’t get much better than this.”
—Nelson DeMille
The stunning New York Times bestselling vampire saga that author Dan Simmons (Drood, The Terror) calls, “an unholy spawn of I Am Legend out of ‘Salem’s Lot,” concludes with The Night Eternal. The magnificent, if monstrously warped brainchild of cinematic horror master Guillermo del Toro (Pan’s Labyrinth, Hellboy) and Chuck Hogan—whose novel Prince of Thieves, was praised as, “one of the 10 best books of the year” by Stephen King—The Night Eternal begins where The Strain and The Fall left off: with the last remnants of humankind enslaved by the vampire masters in a world forever shrouded by nuclear winter.� Still, a small band of the living fights on in the shadows, in the final book of the ingenious dark fantasy trilogy that Newsweek says is, “good enough to make us break that vow to swear off vampire stories.”
- Sales Rank: #58003 in Books
- Published on: 2013-10-08
- Released on: 2013-10-08
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.26" w x 5.31" l, .95 pounds
- Binding: Paperback
- 560 pages
Amazon.com Review
Amazon Guest Review: Stephen King on The Night Eternal
Stephen King is the author of more than 50 books, all of them worldwide best-sellers. Among his most recent are the Dark Tower novels, Cell, From a Buick 8, Everything's Eventual, Hearts in Atlantis, The Girl Who Loved Tom Gordon, and Bag of Bones. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
The Strain trilogy opened with an authentic wow moment: a Boeing 777 arrives at JFK airport with all but four of the passengers dead in their seats. The flashlight beams of the first responders “registered dully in the dead jewels of their open eyes.” Not much later these corpses begin to rise from their morgue slabs, and a plague of blood-hungry predators overwhelms New York. The first hundred pages of The Strain is a sustained exercise in terror that held this reader in spellbound delight, because del Toro and Hogan write with crisp authenticity about both the fantastical (vampires) and the completely real (New York City, with all its odd nooks and crannies).
What began in The Strain comes to a sublimely satisfying conclusion in The Night Eternal. Del Toro and Hogan have taken Dracula, the greatest vampire tale of them all, and deftly turned it inside out. In Stoker’s novel, Bloodsucker Zero arrives in England on a sailing ship called the Demeter. As with the Regis Air 777, the Demeter is a ghost ship when it reaches port, the eponymous Count having snacked his way across the ocean. The difference is that Dracula is confronted by a heroic band of vampire-hunters who eventually drive him from England by using modern technology—everything from diaries kept on wax recording cylinders to blood transfusions. In The Strain Trilogy, the body-hopping Master—who arrives at JFK in the person of Polish nobleman Jusef Sardu—uses the very technology that defeated his honorable forebear to destroy the civilized world. Big corporations are his tools; modern transportation serves to spread the vampire virus; nuclear weapons usher in a new era of pollution and atmospheric darkness.
Only jolly old England escapes; the wily Brits have blown up the Chunnel early on, and remain relatively vampire-free. At moments like this, the reader senses del Toro and Hogan tucking their tongues in their cheeks and having a gleeful blast.
When speaking of the New World Order in Henry the Sixth, Shakespeare has one of his characters say, “The first thing we do, let’s kill all the lawyers.” As The Night Eternal opens, the Master (currently having traded the body of Sardu for that of rock star Gabriel Bolivar) doubles down on that, ordering his minions to kill not just those in the legal profession but all the CEOs, tycoons, intellectuals, rebels, and artists. “Their execution was swift, public and brutal. Out they marched, the damned, out of the River House, the Dakota, the Beresford and their ilk…in a horrific pageant of carnage, they were disposed of.”
With the exception of heroic pawnbroker/scholar Abraham Setrakian (who almost destroyed the Master in Volume Two, The Fall), the winning cast of human characters from the previous novels are all present and accounted for: Nora Martinez, who has traded in her scientist’s microscope for a silver sword; Vasily Fet, who now exterminates vampires instead of rats; Augustin “Gus” Elizade, once a gangbanger and now a hero of resistance. There’s also the less-than-admirable but fascinating (in a repulsive way, it’s true) Alfonso Creem, with his insatiable appetite and his vampire-repelling mouthful of silver teeth.
And there’s Eph Goodweather, the epidemiologist around whom all these others revolve. When The Night Eternal begins, two years after the Master has used nuclear weapons to create vampire-friendly darkness all over the planet, Eph has fallen on hard times. His undead ex-wife stalks him relentlessly (he is, after all, one of her “Dear Ones”), his son has become a rifle-toting, obsessive-compulsive acolyte of the Master, and Eph himself has started popping Vicodin and oxycodone. Nora has left him for Vasily Fet, and Eph is viewed with distrust by those who used to rally around him. Justifiable distrust; he keeps showing up late for meetings and vampire-killing gigs.
Fet has managed to purchase a rogue nuke (it’s wrapped in garbage bags and looks like a trashcan), and the resistance fighters have a sacred book that may—if deciphered—lead them to the Black Site where the Master’s earthly life began. If they can destroy that holy soil, they believe the vampire plague will end.
There’s a certain amount of perhaps dispensable hugger-mugger about vampires in Rome and archangels in Sodom, but the main attractions here are the resistance fighters’ fierce dedication to their cause, and Eph Goodweather’s slow and painful realization that if he destroys the Master, he may also destroy his son Zachary, the last person on earth he truly loves. Heroes of tragic dimension are rare in popular fiction, but Goodweather fills the bill nicely.
After a small (and perhaps unavoidable—see Tolkein’s The Two Towers) letdown in The Fall, The Strain Trilogy comes to a rip-roaring conclusion in The Night Eternal. The action is non-stop, and the fantasy element is anchored in enough satisfying detail to make it believable. All the New York landmarks, such as Central Park’s Belvedere Castle and The Cloisters, are real. And while you’re discovering such essential vampire facts as the undead’s inability to cross running water without human help, you’ll also find out that the stone lions outside the New York Public Library have names: Patience and Fortitude. Plus, come on, admit it—there’s something about seeing vampires massing for an attack in a Wendy’s parking lot that makes them more real. The devil’s in the details, and this is one devilishly good read full of satisfying scares. --Stephen King
Review
Praise for THE NIGHT ETERNAL: 'A devilishly good read, full of satisfying scares' Stephen King Praise for THE FALL: 'The climax, all fire and brimstone, nicely sets up the third and final volume' Financial Times 'Enough blood-curdling action to set up a gory finale' News of the World 'Relentlessly paves the way for what promises to be an epic third book' Kirkus Praise for THE STRAIN: 'A near-flawless thriller' News of the World 'A rattling piece of escapism' The Times 'The first in a trilogy that soars with spellbinding intrigue. Truly, an unforgettable tale you can't put down once you read the first page. I can't wait until the next one.' Clive Cussler 'Blood and apocalypse mix in a terrifying story that feels like it was ripped from today's headlines. Vividly wrought and relentlessly paced, THE STRAIN haunts as much as it terrifies. I cannot wait to see where Del Toro and Hogan take us next.' James Rollins 'Diverting and never less than expertly crafted' Guardian
From the Back Cover
The Earth lies shrouded in darkness . . . and it is our world no longer.
Two years have passed since the vampiric virus was first unleashed upon humanity and nuclear winter has cast the poisoned world into eternal night. The remnants of the living that were not turned have been subjugated, with many imprisoned in camps to be bred and bled for the sustenance of the Master's vast vampire army.
Yet the fight continues. Dr. Eph Goodweather, of the Centers for Disease Control's biological threats team; his former colleague and lover, Dr. Nora Martinez; and the exterminator Vasiliy Fet, lead a band of freedom fighters aided by Mr. Quinlan, the half-breed offspring of the Master, who now is bent on revenge. At humankind's darkest hour, one of them may hold the key to salvation. But a traitor is among them. And who will be willing to make the ultimate sacrifice so that others may live?
Most helpful customer reviews
9 of 9 people found the following review helpful.
This is what happens when you don't know how to end your book series.
By J. Star
I am going to keep this brief, as there as a bunch of excellent reviews already pointing out the flaws in this book. I didn't really care for it, I took a month off somewhere in the middle of the book to read some other books, and I really had to force myself to come back and finish this one.
Oh, wait, is that what I did or is that what the authors did? It's hard to tell. The only thing I know for sure is that they had no idea how to end the trilogy after the events in the second book, so they copped out hard. Skip ahead two years, change the characters, skip the science, full steam ahead on the mythology! And then the end of the book is truly one of the most anti-climactic endings in recent memory. They spend so much time on earlier battles and then rush the ending in a few pages.
One can only hope the TV series manages to stray from the source material and provide a more satisfying conclusion. Of course, one can always hope to win the lottery as well.
1 of 1 people found the following review helpful.
Books 1 &2, thumbs all the way up! Book 3...thumb halfway up.
By Jenni DaVinCat
I read this series long before they made a TV show about it, in fact, I still haven't actually seen the show (but I'd like to!).
I really enjoyed the first two books, but the third book fell short for me. Fet and Gus were the only two people that I cared about at that point because the rest of the characters, whether it was through their attitudes or their storyline, became boring and unlikeable. I did finish the book, but I found myself wishing that it was shorter or that I was closer to the end, it wasn't holding my attention like the first two in the series.
Speaking of the ending, I won't give it away but it was very predictable.
If you enjoy the show (hopefully it's fairly similar to the books!), then please give the book series a try! I know the third book may fall a little short in quality but as a whole the series is very interesting and well researched. The first two books build an amazing world inside your head and you'll want to find out what happens next, just be warned that the third book may disappoint slightly.
2 of 2 people found the following review helpful.
The (somewhat disappointing) finale
By David Chronister
As the final book in a trilogy, it is charged with tying up all the various loose ends and story beats from the first two books. To be fair, the first two books didn't leave much hanging. Each book in this series has been relatively self contained and not much beyond the main story needed to be wrapped up. As I've stated in my other reviews for this series, I was not a fan of one of the main characters, Doctor Ephram Goodweather. As this series has progressed, I have come to actively dislike this guy. This holds true in here as well, as my dislike of the character is only reinforced, putting a bit of a damper on the story since he is a main protagonist.
Getting back to the story; the first book presented a fresh take an a well worn mythology. As the series progresses, it moves away from that idea and swings back to the more familiar territory of the vampire. It still presents some new takes, to be sure, but overall we're left with themes we've seen before. This was an unfortunate let down after the strength of the first book. In the end, despite a fitting conclusion, I felt slightly disappointed. That's not to say the series isn't good, it is definitely worth a read, I just didn't feel the series lived up to the potential displayed in the first book. At least Ephram finally did something worth noting...
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